Publications


Music Preferred - Essays in Musicology, Cultural History and Analysis in Honour of Harry White edited by Lorraine Byrne Bodley and published by Hollitzer Verlag (Vienna) in 2018 to celebrate Professor White's 60th birthday; the volume includes essays by his colleagues, former colleagues and former students in Australia, Austria, Canada, Croatia, Germany, Ireland, Italy, Taiwan, the UK and the US.	An essay by Harry White on Bernard Shaw's influence as a writer on music in Jeremy Dibble and Julian Horton (eds), British Musical Criticism and Intellectual Thought, 1850-1950, published in 2018.

A Musical Offering. Essays in Honour of Gerard Gillen, edited by Kerry Houston and Harry White and published by Four Courts Press (Dublin) in 2017. This volume includes essays by Frank Lawrence and Harry White on Alessandro Cellini and James Joyce.	A review by Harry White of Thomas Hochradner, Thematisches Verzeichnis der Werke von Johann Joseph Fux, Volume 1 (Vienna, 2016) published in Eighteenth-Century Music, Vol 15 (2018).
‌
An essay by Harry White on 'The imagined Unities of Thomas Moore' in Sarah McCleave and Brian G. Caraher (eds), Thomas Moore and Romantic Inspiration, published in 2017.	An essay by Wolfgang Marx on cultural trauma as reflected in Ligeti's music. Published in 2017.
	‌
An essay by Wolfgang Marx on the importance of György Ligeti's texts and interviews. Published in 2017.	This volume contains an essay on Cameroonian immigrants' 'cry-die' death ritual in Dublin by Sheryl Lynch, and one on Brecht and Weill's 'Berliner Requiem' as a necropolitical statement by Wolfgang Marx.
‌	‌‌
A chapter by Thérèse Smith on music in African American Fundamentalist Christianity Published in 2016.	An essay on Raymond Deane's Seachanges (with Danse Macabre) by Wolfgang Marx. Published in 2016.
‌	‌
An essay by Wolfgang Marx on his collaboration with the conceptual artist Hanne Darboven. Published in 2016.	A chapter by Harry White comparing art music in Montreal and Dublin in a volume published in 2016.
‌	‌
An essay on the use of Schubert's music in American cinema by Harry White in a volume edited by Lorraine Byrne Bodley and Julian Horton. Published in 2016.	An article by Thérèse Smith on music worship in African American Baptist congregations. Published in 2016.
‌	‌
An article by Therese Smith on music worship in Aftrican American Baptist congregations. Published in 2016.	An article by Thérèse Smith on the emergence of digital technology and its impact on performance in a rural Mississippi church. Published in 2016.
‌	‌
An essay by Harry White on German musical responses to Irish folk literature and music published in 2016.	A paper by Harry White in a set of proceedings on musical lexicography which originated at a conference in the Julliard School of Music (New York) in 2015. Published in 2016.
	‌
An article by Jaime Jones examining song, audience, and religious processions. Published in 2016.	A chapter by Harry White on the influence of Italy on the music of Johann Joseph Fux. Published in Rome in 2016.
‌	‌
A score of Ivo Antognini's setting of Aimhirgín for Choir and English Horn edited by Desmond Earley for Alliance Music (USA). Published in 2016.	A collection edited by Harry White originally published in 1992 and now re-issued under the Routledge imprint and published in 2016.
‌	‌
An article by Thérèse Smith exploring the potential difficulties and challenges in conducting fieldwork, both "at home" and "abroad". Published in 2015.	An article by Jaime Jones that develops the idea of an ethnomusicology of pilgrimage, focusing on the great Varkari pilgrimage of India. Published in 2015.
‌	‌
An essay by Harry White on music in Joyce. Published in Dublin in 2015.	A recording of choral works of Ireland and Scotland, Invisible Stars, Desmond Earley (conductor), released December 2015 with Signum Records. This volume contains a number of works by Desmond Earley.
‌	‌
An arrangement of the Irish traditional song, The Gartan Mother's Lullaby, for choir and harp by Desmond Earley for Seolta Music's College Choral Series, published in 2015.	An online article on the interaction between the art of storytelling and musical composition for Gramophone online (UK). December 2015.
‌	‌
A review by Harry White of Alison Dunlop's Monograph on the life and work of Gottlieb Muffat published in 2015	Review by Wolfgang Marx of Lauri Suurpää, Death in Winterreise. Musico-Poetic Associations in Schubert’s Song Cycle, published in 2015.
‌	‌
Review by Wolfgang Marx of Benjamin Dwyer, Different Voices. Irish Music and Music in Ireland published in 2015.	A Festschrift edited by Wolfgang Marx to celebrate the centenary of the founding of the Chair of Music in UCD in 1914. Published in 2014.
‌	‌
An essay on Charles Villiers Stanford's Requiem by Wolfgang Marx who also co-edited this volume. Published in 2014.	A chapter by Thérèse Smith on Musical Identity in early-1970s Cape Clear Island in Cork, exploring issues of language, culture, history and religious identity. Published in 2014.
‌	‌
An essay on war and requiem compositions in the twentieth century by Wolfgang Marx. Published in 2014.	Review by Wolfgang Marx of Tobias Robert Klein (ed.), Klang und Musik bei Walter Benjamin, published in 2014.
‌	‌
A volume on traditional music joint edited by Thérèse Smith with Fintan Vallely et. al. Published in 2013.	The Encyclopaedia of Music in Ireland, edited by Harry White and Barra Boydell, includes entries by Jaime Jones, Thérèse Smith and Wolfgang Marx. Published in 2013.
‌	‌
An edited volume investigating Hanslick's contribution to the aesthetics and philosophy of music, co-edited by Nicole Grimes and Wolfgang Marx. Published in 2013.	A chapter by Jaime Jones that critically considers the history of sacred music in India. Published in 2013.
‌‌	‌
An arrangement of the song by Brendan Graham and Rølf Lovland, Sleepsong, for unaccompanied choir and soprano solo by Desmond Earley for Novello Music's Choral Pops series, published in 2013.	Review by Wolfgang Marx of Haide Tenner (ed.), Alma Mahler — Arnold Schönberg. “Ich möchte so lange leben, als ich Ihnen dankbar sein kann”. Der Briefwechsel, published in 2013.
‌	‌
Review by Wolfgang Marx of Wolfgang Sandberger (ed.), Johannes Brahms – Ein deutsches Requiem, published in 2013.‌	An award-winning collection on histories of Irish traditional music and dance, edited by Thérèse Smith, and published in 2012.