Below is the list of research publications for the UCD School of Music in the academic year 2020/2021.
Assoc Professor Jaime Jones | |
Jones, J. (2021). Music and Devotion in India. London: Routledge. | |
Dr Tomás McAuley | |
McAuley, T. (2021). The Music of Philosophy: German Idealism and Musical Thought, from Kant to Schelling. New York: Oxford University Press. |
Dr Laura Anderson | |
Anderson, L. (2020). Book Review: Ruth Barton and Simon Trezise (eds), Music and Sound in Silent Film: From the Nickelodeon to The Artist (2019). Dublin: Society for Musicology in Ireland. | |
Assoc Professor Wolfgang Marx | |
Marx, W. (2020) Marianna Ritchey, <i>Composing Capital: Classical Music in the Neoliberal Era</i> (2019). Society for Musicology in Ireland (SMI). |
Assoc Professor Wolfgang Marx | |
Marx, W. (2020). ‘A composer should […] not talk too much’: György Ligeti's Speeches and Writings. In B. T. Temes, & K. Agawu (Eds.), A Tribute to György Ligeti in his Native Transylvania Nos. 1–2 (pp. 1-27). Cluj-Napoca: MediaMusica. | |
Dr Tomás McAuley | |
McAuley, T. (2020). The Enlightenment. In Unknown Book (pp. 179-206). Oxford University Press. | |
McAuley, T. (2021). Music in Early German Romantic Philosophy. In B. Taylor (Ed.), The Cambridge Companion to Music and Romanticism (pp. 163-182). Cambridge: Cambridge University Press. Retrieved from https://www.cambridge.org/ | |
McAuley, T. (2021). Immanuel Kant and the Downfall of the Affektenlehre. In S. D. Smith, J. Lochhead, & E. Mendieta (Eds.), Sound and Affect: Voice, Music, World (pp. 342-359). Chicago: University of Chicago Press. Retrieved from https://press.uchicago.edu/ucp/books/book/chicago/S/bo73374896.html | |
Professor Harry White | |
White, H. (2021). 'Monuments of its own magnificence': Musicology within Irish Studies. In Reimagining Irish Studies for the Twenty-First Century (pp. 169-182). | |
White, H. (2021). "Made in Italy": Johann Joseph Fux and the Formation of a 'Dynastic Style'. In I. Tomic Feric (Ed.), Between CEntral Europe and the Mediterrannean: Music, Literature and the Performing Arts (pp. 301-316). Split, Croatia: University of Split. |
Dr Desmond Earley | |
Stephens, T., & Earley, D. (2020). The Adoration of the Magi, [Composition by Timothy Stephens, ORCHESTRATION by Desmond Earley], SM-CCS-018 [Score Form ISMN 9790708143246 ORCHESTRATION]. Retrieved from https://www.seoltamusic.com/details.php?prodId=519 | |
Earley, D. (2021). 'Auld Lang Syne' Scottish TRAD ARR., SSAATTBarB, SM-CCS-019 [Score Form TRAD ARR. ISMN 9790708143253]. Retrieved from https://www.seoltamusic.com/details.php?prodId=521 |
Dr Ciaran Crilly | |
Crilly, C. (2021). Insistent Savagery: The Machine Aesthetic in Early Modern Music. In VII International Congress of Music and Audiovisual Culture MUCA. |
Dr Tomás McAuley | |
The Oxford Handbook of Western Music and Philosophy (2020). . Oxford University Press. |
Dr Laura Anderson | |
Anderson, L. (2020). ‘Le concerto pour Éclair et Nagra’: a sonic snapshot of Paris in Le Joli mai (1963). French Screen Studies, 20(3-4), 222-242. | |
Assoc Professor Wolfgang Marx | |
Marx, W. (2021) (Dis-)Embodied Voices and Digital Liveness: Music Theatre in Lockdown. INSAM Journal of Contemporary Music, Art and Technology, (6), 22-39. | |
Dr Joseph Mason | |
Mason, J. (2021). Trouver et partir: The meaning of structure in the Old French Jeu-parti. Early Music History: studies in medieval and early modern music, 40. | |
Dr Matthew Thomson | |
Thomson, M. P. (2020). Trouvère thievery. Early Music, 48(4), 573-575. |
Dr Ciaran Crilly | |
Crilly, C. (2021). Pulse College Promotional Video. | |
Dr Desmond Earley | |
Earley, D. (2020). 'Be all Merry' Advent & Christmas Choral Works with Irish Chamber Orchestra. SIGNUM RECORDS SIGCD643. ALBUM RELEASE (Executive Producer & Conductor). [Compact Disc; Online Streaming Platforms APPLE MUSIC | SPOTIFY]. Retrieved from https://signumrecords.com/product/be-all-merry/SIGCD643/ |