UCD School of Music
School of Music - Research Publications 2021/2022
Below is the list of research publications for the School of Music in the academic year 2021/2022.
Below is the list of research publications for the School of Music in the academic year 2021/2022.
| Dr Laura Anderson | |
| Anderson, L. (2021). Sounding Irish Landscape and Life: Brian Boydell’s Scores for Documentary Films. In B. Dignam, & B. Boydell (Eds.), Creative Impulses, Cultural Accents: Brian Boydell’s Music, Advocacy, Painting and Legacy. Dublin: UCD Press. | |
| Dr Ciaran Crilly | |
| Crilly, C. (2022). “Insistent Savagery”: The Mechanical Style in Music of the Early Twentieth Century. In E. Encabo (Ed.), Screen, Music and Audiences. Cambridge, UK: Cambridge Scholars. | |
| Assoc Professor Wolfgang Marx | |
| Marx, W. (2022). The Spirits of Utopia and of Disenchantment: Ernst Bloch, Hope, and Music in the Age of Post-Truth. In S. Donovan, & M. Euchner (Eds.), Music in German Politics / Politics in German Music (pp. 169-185). Rochester: Camden House. | |
| Dr Joseph Mason | |
| Mason, J. (2022). Jeux-partis and their contrafacts in C. In E. E. Leach, J. W. Mason, & M. P. Thomson (Eds.), A Silent Medieval Songbook? Trouvère MS C. Woodbridge: Boydell & Brewer. | |
| Dr Matthew Thomson | |
| Thomson, M. (2022). Trouvère MS C and Polyphonic Motets: Exemplars, Adaptations, and Scribal Priorities. In M. Thomson, J. Mason, & E. E. Leach (Eds.), A Medieval Songbook: Trouvère MS C. Woodbridge: Boydell and Brewer. | |
| Professor Harry White | |
| White, H. (2022). The Tarnished Grace of Celtitude. In G. Doliner, H. Beban, T. Cunka, & S. Tuksar (Eds.), Glazba i iskustvo povijesti svecani zbornik za Sanju Majer-Bobetko (pp. 385-398). Zagreb: Croatian Musicological Society. | |
| White, H. (2022). Art Music and the Struggle for Independence. In D. Gannon, & F. McGarry (Eds.), Ireland 1922 Independence, Partition, Civil War (pp. 33-42). Dublin: Royal Irish Academy. | |
| Dr Ciaran Crilly | |
| Crilly, C. (2022). Perspectives on Conducting: Tradition & Innovation. In Perform_Live: The First Festival of Music Performance Research. National Concert Hall, Dublin. | |
| Assoc Professor Jaime Jones | |
| Jones, J., O'Flynn, J., & Ioannis, T. (2022). Cosmopolitan Music-making across Ireland and Northern Ireland: Negotiating difference, interpreting discourse, facilitating collaboration. In Ordinary Musicians: BFE Annual Conference. Milton Keynes, UK. | |
| Assoc Professor Wolfgang Marx | |
| Marx, W. (Ed.) (2022). I Don’t Belong Anywhere: György Ligeti at 100. Turnhout: Brepols. | |
| Dr Joseph Mason | |
| Mason, J., Leach, E. E., & Thomson, M. P. (Eds.) (2022). A Silent Medieval Songbook? Trouvère MS C. Woodbridge: Boydell & Brewer. | |
| Dr Matthew Thomson | |
| Thomson, M., Mason, J. W., & Leach, E. E. (Eds.) (2022). A Medieval Songbook: Trouvère MS C. Woodbridge: Boydell and Brewer. | |
| Dr Ciaran Crilly | |
| Crilly, C. (2021). The Grand Illusion: Listening to Tchaikovsky’s Symphonie Pathétique. The Musicology Review. | |
| Dr Joseph Mason | |
Mason, J. W. (2021). Newly discovered 14th-century polyphony in Oxford. Early Music, 49(2), 245-259. doi:10.1093/em/caab008 |
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| Dr Patrick Nickleson | |
| Nickleson, P. (2022). On which they (merely) held drones: Fugitive Tapes from the Theatre of Eternal Music Archive, 1962–1966. Journal of the Royal Musical Association. | |
| Dr Matthew Thomson | |
| Leach, E. E., Mason, J. W., & Thomson, M. P. (Eds.) (2022). A Medieval Songbook. doi:10.2307/j.ctv24tr7vj |
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| Professor Harry White | |
| White, H. (2022). Beethoven's Ghosts: Twelve Generic Variations. International Review of the Aesthetics and Sociology of Music, 53(1), 3-35. | |
| Dr Ciaran Crilly | |
| Crilly, C. (2021). Orchestral Recording/Video Sessions for Big Love (Conductor), Windmill Lane Recording Studios, Sep 2021. | |
| Crilly, C. (2022). UCD Symphony Orchestra Digital Concerts (Conductor), Astra Hall, UCD, Jan 2022. | |