Below is the list of research publications for the School of Music in the academic year 2023/2024.
Dr Sean L Clancy | |
Clancy, S. (2023). Where the Paths End - Birmingham Soundwalk [Digital Soundwalk]. Birmingham, UK. Retrieved from https://explore.echoes.xyz/collections/mApweaIhA7xzgbms |
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Clancy, S. (2023). Where the Paths End - Edinburgh Soundwalk [Digital Soundwalk]. Edinburgh. Retrieved from https://explore.echoes.xyz/collections/ZNhUvD3lXRCg9lfb |
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Clancy, S. (2023). Where the Paths End - London Soundwalk [Artefact]. London, UK. Retrieved from https://explore.echoes.xyz/collections/4CMm5JEWHM5Orr4A |
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Clancy, S. (2024). Four Sections of Music Unequally Divided [Artefact]. Retrieved from https://nmc-recordings.myshopify.com/ |
Dr Francesco Milella González Luna | |
Milella, F. (2023). The Labyrinths of Global Opera (Vol. 35). doi:10.1017/S0954586723000162 - Available Online |
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Milella, F. (2024). Offenbach in Spain: towards a transnational rethinking of XIX century zarzuela. London: Routledge. |
Assoc Professor Ciaran Crilly | |
Crilly, C. (2024). “THIS WILL BE THE ONE!”: Strategic Programming and Repertoire Selection for Non-Professional Orchestras. In Perspectives on Conducting (pp. 80-91). doi:10.4324/9781003299660-9 - Available Online |
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Professor Wolfgang Marx | |
Marx, W. (2024). Music Criticism in Ireland. In J. Weiss (Ed.), Music Criticism – Yesterday and Today, Studia musicologia Labacensia 7 (pp. 147-167). Ljubljana: Festival Ljubljana. |
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Dr Sarah Raine | |
Raine, S., & Shentall, C. (2023). 12 ‘This could be a night to remember’. In Let’s spend the night together (pp. 220-237). Manchester University Press. doi:10.7765/9781526159991.00018 - Available Online |
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Raine and, S., & Medbøe, H. (2024). From Music Higher Education to the Festival Stage. In Unknown Book (pp. 38-49). Bloomsbury Publishing Plc. doi:10.5040/9781350266995.0011 - Available Online |
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Professor Harry White | |
White, H. (2023). 'A Butterfly is an Event': The Irish Leaving Certificate Music Syllabus and its Frailties. In J. O'Flynn, & P. Flynn (Eds.), Music Education for the Twenty-First Century Legacies, Conversations, Aspirations (pp. 51-68). Cork: Cork University Press. |
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White, H. (2024). Fifth business: George Moore and the cultural history of music in Ireland. In 'Getting the Words Right': A Festschrift" in Honour of Eamon Maher (pp. 197-208). |
Dr Peter Moran | |
Moran, P. (2024). 'Embat', for gamelan (arr. 2024) [Composition]. |
Assoc Professor Ciaran Crilly | |
Crilly, C. (2024). Once More Without Feeling: Kurtág, Beckett, and the Search for New Beginnings. In Subject/Object/Practice/Place: Connecting Creatively Through the Performing Arts. |
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Crilly, C. (2024). The Persistence of Memory: Shostakovich’s Piano Concerto No. 2. In SMI Annual Conference. |
Assoc Professor Ciaran Crilly | |
Blunnie, R., & Crilly, C. (2024). Perspectives on Conducting. doi:10.4324/9781003299660 - Available Online |
Assoc Professor Ciaran Crilly | |
Crilly, C. (2023). Music & Maths: What's the Relationship?. UCD Connections. |
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Blunnie, R., & Crilly, C. (2024). INTRODUCTION. Perspectives on Conducting, 1-4. doi:10.4324/9781003299660-1 - Available Online |
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Professor Wolfgang Marx | |
Unknown Title (2023). Unknown Journal, 76(4). doi:10.52412/mf.2023.h4 - Available Online |
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Marx, W. (2024). PHILIP EWELL: On Music Theory and Making Music More Welcoming for Everyone. Ann Arbor: University of Michigan Press 2023.332 S. DYLAN ROBINSON: Hungry Listening. Resonant Theory for Indigenous Sound Studies. Minneapolis, London: University of Minnesota Press 2020.319 S. Voices for Change in the Classical Music Profession. New Ideas for Tackling Inequalities and Exclusions. Hrsg. von Anna BULL, Christina SCHARFF und Laudan NOOSHIN Oxford: Oxford University Press 2023.352 S.. Musikforschung, 77(2), 164-169. |
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Marx, W. (2024). Ligeti and Artistic Research. Studia Musicologica, 64(1-2), 121-131. doi:10.1556/6.2023.00008 - Available Online |
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Marx, W. (2024). Critiquing Oneself Back into Business?. European Journal of Musicology, 21(1), 64-77. doi:10.5450/ejm21.1.2022.64 - Available Online |
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Marx, W. (2024). Ligeti és a muvészeti kutatás (Ligeti and Artistic Research). Magyar Zene, 2024(1), 79-92. |
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Dr Sarah Raine | |
Raine, S. (2024). Not Missing a Beat / SHE. Riffs: Experimental writing on popular music, 7(2), 15-18. |
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Dr Matthew Thomson | |
THOMSON, M. P. (2024). Ars Antiqua motets in fourteenth-century Italy: liturgical priorities, style and notation in Bodleian, lat. liturg. e. 42. Plainsong and Medieval Music, 33(1), 63-93. doi:10.1017/s0961137124000019 - Available Online |
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Thomson, M. P. (2024). Song, Dance, and Sex: The Social Role of the <i>Carole</i> in Thirteenth-Century Clerical Thought and Vernacular Literature. Music & Letters, 105(2), 153-176. doi:10.1093/ml/gcae008 - Available Online |
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Thomson, M. P. (2024). <i>Medieval Polyphony and Song</i>. Helen Deeming and Frieda van der Heijden. Music & Letters, 105(3), 388-390. doi:10.1093/ml/gcae039 - Available Online |
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Professor Harry White | |
White, H. (2024). Time Signatures: The SMI at Twenty. Journal of the Society for Musicology in Ireland, 19 (2024), 3-7. |
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White, H. (2024). Beethoveni duhovi: dvanaest zanrovskih varijacija. Rad Hrvatske Akademije Znanosti i Umjetnosti Musikologija Kniga VIII, 562, 1-34. |
Dr Peter Moran | |
Moran, P. (2024). 'Kyai Jati Roso' CD Release. [Compact Disc]. Retrieved from https://nchgamelan.bandcamp.com/album/kyai-jati-roso |
Dr Peter Moran | |
Moran, P. (2024). Kyai Jati Roso CD Booklet. Retrieved from https://nchgamelan.bandcamp.com/album/kyai-jati-roso |
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Professor Harry White | |
White, H. (2024). Distant Music. (Vol. James Joyce, Chamber Music, Iss. Choral Scholars of University College Dublin). Signum Classics. |
Dr Francesco Milella González Luna | |
Milella, F. (2023). Rethinking operatic Spanishness from the Atlantic. University of Oviedo. |