Introduction

Recent cultural explorations of Ireland's history of institutional abuse have focussed on buildings as ways of creating a commemorative space for this history. Brokentalkers' The Blue Boy (2011), Anu Productions' Laundry (2011), and Evelyn Glynn's Breaking the Rule of Silence (2011) all insist on the visibility and presence of these institutions within towns and communities. All three works foreground the necessary role of active spectatorship in commemorating this traumatic past, and in ensuring it never happens again. This active spectatorship stands in contrast to the patterns of agnosia and amnesia which maintained the system for so long.
This lecture discusses the ways in which culture plays a much-needed role in the commemoration of abuse trauma. Yet culture cannot stand alone and the lecture subsequently calls for a state-led official history of Ireland's institutional past which addresses the class and gender-based operation of these institutions in a holistic system of incarceration.

Emilie Pine

Dr Emilie Pine lectures in Modern Drama in the School of English, Drama and Film at UCD. Emilie has published widely on Irish cultural studies and her monograph The Politics of Irish Memory: Performing Remembrance in Contemporary Irish Culture is published by Palgrave (2011). She is currently writing a cultural history of Ireland in the 1930s, The Material State. Emilie is Assistant Editor of the Irish University Review and Judge for the 2013 Irish Times Theatre Awards. She is founder of the Irish Memory Studies Research Network.